She’s quite alone in this new reality, save for her co-worker, Gina. She’s constantly fending off misogyny from the customers, having to play up her Southern hospitality charm to please the patrons. Not only is the vibe eerie and soul-sucking, but it’s literally dirty. Now, she’s working as a waitress in the dingiest diner you ever did see. Sally is the most miserable she’s ever been, yearning for the days when tanking an audition and losing roles to her friends were her biggest and only problems.

It’s quite clear that this “normal” cookie-cutter life that Barry has been hoping for is the furthest thing from perfect. He just wants to hide out in Sally’s apartment, but Sally, who is also at the end of her own (less bloody) rope, defiantly says, “Let’s go.” Now, where are they going, exactly?Įnter the time jump! Eight years have passed, Barry and Sally have a son John ( Zachary Golinger Jr.) and they are attempting a “normal” life in a very remote part of the country (like, no trees, no next-door neighbors, and everything-has-to-be-delivered-to-them sort of remote). Bloodied and battered from his prison breakout and subsequent shootout with Witness Protection after one of NoHo Hank’s ( Anthony Carrigan) men sneaks in and attempts to kill him, Barry is at the end of his rope. At the end of Episode 4, “it takes a psycho,” Barry lurks in the literal shadows of Sally’s ( Sarah Goldberg) apartment, where he waits to make a massive request. The boldest part about Season 4 so far is the intense timejump.

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